Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.  Related Paintings of Carl Larsson :. | Catch-up Home work in Summertime | varflod- oversvamning | Rococo Model Charcoal | akvarell | Esbjorn som tankare |
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Ivan Nikitin
Russian Painter, ca.1680-1742,Russian painter. The son of a Moscow priest who was close to the imperial court, Nikitin probably studied at the workshop of the Armoury Palace in Moscow and subsequently worked chiefly in St Petersburg. His early portraits were of Peter the Great and members of Peter family, for example the portraits of Peter daughters Elizabeth (St Petersburg, Rus. Mus.) and Anne (Moscow, Tret yakov Gal.) and of his sister Natal ya Alekseyevna (St Petersburg, Rus. Mus.). One of the few signed and dated works is a portrait of Praskov ya Ioannovna, Daughter of Tsar Ivan V (1714; St Petersburg, Rus. Mus.). Nikitin style was formed at the time of Peter the Great reforms of the administrative and education system in Russia, and he ranks as a pioneer of a new style in Russian painting. In his early works, up to 1716, he adapted the medieval Russian style of portraiture to the forms of contemporary European examples.
Julius LeBlanc Stewart
(September 6, 1855, Philadelphia, Pennsylvania - January 5, 1919, Paris, France), was an American artist who spent his career in Paris. A contemporary of fellow expatriate painter John Singer Sargent, Stewart was nicknamed "the Parisian from Philadelphia." His father, the sugar millionaire William Hood Stewart, moved the family to Paris in 1865, and became a distinguished art collector and an early patron of Fortuny and the Barbizon artists. Julius studied under Eduardo Zamacois as a teenager, under Jean-Leo Grôme at the École des Beaux Arts, and later was a pupil of Raymondo de Madrazo. Stewart's family wealth enabled him to live a lush expatriate life and paint what he pleased, often large-scaled group portraits. The first of these, After the Wedding (1880), showed the artist's brother Charles and his bride Mae, daughter of financier Anthony J. Drexel, leaving for their honeymoon.
Crane, Walter
English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.